Notes on Short Film

Lengthy diatribe on brief cinematic experience.

Posts Tagged ‘the alphabet

Auteur Spotlight: David Lynch

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David Lynch, like many burgeoning directors, started his career making short films. From 1966-1974, he created four of film history’s most memorable shorts, leading up to his breakout, oft-critiqued feature, Eraserhead (1977). His style is defined by the dark, the grotesquely physical, and the bizarre. Many of his shorts included animation. Sound and music for films was also of utmost importance to the paranoia-filled atmosphere of his works. The dark and the bizarre were aspects he would carry over to his television show, Twin Peaks, which aired for two seasons in 1990 and 1991.

Previously, I have analyzed his short The Grandmother (1970) for your reading pleasure.

His other shorts, including Six Figures Getting Sick (Six Times) (1966), The Alphabet (1968), The Amputee (1974), and The Cowboy and the Frenchmen (1988) (a special case, originally aired on TV) all follow his particular brand of anti-Hollywood cinematic dread. Lynch chooses to subvery normal Hollywood narrative structure. Six… and The Amputee could be gallery installations, with their cyclical narrative structure. The soundtracks in those as well as The Alphabet are meant to put the audience on edge, seeking comfort in a tidy ending and receiving none. David Lynch’s unique brand of filmmaking – his Lynchness, if you will – has had a profound impact on film and television today, and I hope he continues to make films that both inspire and creep us out.

I want to leave you with The Cowboy and the Frenchman, my favorite off The Short Films of David Lynch anthology, for its lighthearted bizarro and marked contrast to The Grandmother. I hope you enjoy!

You can find information on David Lynch’s shorts and features here!

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