Notes on Short Film

Lengthy diatribe on brief cinematic experience.

March 9th (2010)

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This film is one of the selections for this year’s Libertas Film Festival hosted in Dubrovnik, Croatia. (The films are available streaming online through Mubi.) Directed by Irena Skoric, the synopsis for this 9-minute film is as follows:

One shot. Two bodies. And an interrupted sex. Film in which faces and voices are outside the shot, and protagonist is Her and His naked flesh, on that March 9th, in a casual relationship and a casual deceit. Nervous croquis of body language.

It’s unsettling to watch this film and see voices disconnected from actions, to see sex played out as a progression of meeting body parts separate from the people using those bodies. As the audience is privy to this intimate scene, so are we privy to pictures of a couple scattered around the room and other evidences of an intimate, emotional connection. Therefore when we finally see the faces belonging to the couple in the bedroom, it’s jarring to see that this is a different man than the one smiling in the pictures. We learn the female character is late to meet her boyfriend, unaware and separate from this intimate affair, and she is just as nonchalant about the feelings of her current lover as she is about the partner she’s deceiving. The lack of cuts and distance from the subjects leaves the audience caught in what’s happening despite its distastefulness; we come to know the girl’s tattoos on her naked body as well as her lovers do. We’re left to ask the question of whether sex is about the body or about the soul. As the woman leaves, we’re left with her dejected lover. In a gender inversion of the norm, we see this man feeling used for his body and angry that he’s allowing this female to walk all over him. He vengefully puts out a cigarette in her salad and we leave the scene discontent.


Written by Alisa Hathaway

April 16, 2011 at 2:54 pm

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