Notes on Short Film

Lengthy diatribe on brief cinematic experience.

Boy and Bicycle (1965)

with one comment

Well-known director Ridley Scott of Alien (1979) and Bladerunner (1982) began his career with this short film while he studied at London’s Royal College of Art. Starring his brother, Tony Scott, and employing the musical proficiency of John Barry (celebrated composer of the James Bond theme), this film includes visions of the industrial landscape that he would later include in his famous feature films. Slant magazine blogger Rob Humanick says this of the film in a review of the Cinema 16 DVD:

The style-over-substance director’s first work is indicative of the heavy-handedness exhibited in many of his feature films, here following the adventures of a young boy who decides to play hooky as a respite from both overbearing parents and the educational system. The director’s younger sibling, Tony, plays the nameless title character and also provides the full-length narration. While the film’s meandering approach doesn’t lack for a sense of adolescent earnestness or spirit, its perpetual sense of self-satisfaction makes for an alienating experience.

While the reviewer doesn’t seem to love Scott’s work, he has a point. Indeed, the stream-of-consciousness voice-over, without any sort of narrative focus, is difficult to follow and leaves the viewer to write the protagonist off as, simply, a teenage boy. This is almost the unsuccessful version of J.D. Salinger’s immortal Holden Cauffield. You can find more information on Boy and Bicycle on blogs like Flickering Myth and the British Film Institute Online.

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