Notes on Short Film

Lengthy diatribe on brief cinematic experience.

Doodlebug (1997)

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Director Christopher Nolan is known for pushing the boundaries of narrative form. (Need I mention Memento (2000)?) His recent, high-grossing, accomplished films – Batman Begins (2005), The Dark Knight (2008), and Inception (2010), to name a few – are no exception. But before all that, there was this 3-minute short, shot on black and white 16-mm film while Nolan was studying English Literature in London. (The film was produced by Emma Thomas.) There are some notes on the production of the film at christophernolan.net.

Kristopher Tapley of InContention.com writes of the short:

You could pull out themes of identity, or reality vs. perception, maybe.  There’s certainly an undercurrent of paranoia in his films that has roots here, too.

Rather than a message of identity, I see a message of violence and imperialism. I see Mr. Nolan saying, “Look, it’s no use dominating those who are smaller and weaker simply because you’re bigger and stronger and more impressive, because that weaker guy? You are him. We’re all the same. The only person you’re hurting with that violence and domination is yourself.” Sound a little political?

Nah.

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